Andy Kerstens
MAGAZINE · INTERVIEW

Andy Kerstens

Andy Kerstens is a Belgian interior architect and designer, and the founder of KERSTENS, a multidisciplinary design studio based in Antwerp. Established in 2015, the studio works across interiors, furniture, and collectible objects, developing projects distinguished by architectural clarity, refined materiality, and a strong sensitivity to atmosphere.

Guided by a pursuit of aesthetic purity and craftsmanship, Kerstens creates spaces and objects that balance restraint with richness, combining natural materials, tactile surfaces, and carefully considered proportions. His work explores the dialogue between architecture, collectible design, art, and material expression, resulting in environments that evoke a sense of serenity, timelessness, and understated luxury.

Working across residential and hospitality projects as well as collectible design, Andy Kerstens has developed a distinctive visual language rooted in coherence, detail, and the emotional qualities of space.

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Interview

Where were you born and where are you from?

I was born in Wilrijk, very close to Antwerp (Belgium). I grew up in a charming neighbourhood closer to the countryside, at a one-hour drive from Antwerp.

What is your first memory connected to the art world?

Hard to say, as a child is was always very interested in creative stuff, and was always in search for interesting ideas and aesthetic content. Weird to say maybe, but each summer we travelled to Southern Europe. And I can remember that we drove around these roundabouts where quite often big art sculptures were exposed.

Have you always worked in the art/design field?

Except for some student jobs in sales, I do. From the start of my student career, I knew quite well what I wanted to do later in life. So even when I was still studying, I already wanted to explore the work field, and so I worked at some architecture offices to improve my knowledge and to prepare myself for the ‘real’ job after the studies.

What led you to design creation?

I’ve always been intrigued by beautiful things around us, close to humans, from furniture to spaces, to product design, and everything that passes by daily. I think the urge to create beautiful and tranquil surroundings for people has been a strong motivator. The understanding of the importance of design, and what it could lead to as it enhances the human senses.

How would you describe your creative process and its influences?

We always start with a wide visual inspection of images that we feel attracted to, taking into account the project and requirements given by the Client. We try to create a fundamental idea, materialization, color, or it could be anything to build around strong principles to become a consistent design. This will all be shaped together with the progress on 2D drawings and floor plans, but at the same time, we are already investigating the overall influences rather quickly in 3D

Could you describe a typical day of your work?

Well, rather boring, I guess. For most of the (long) days, I’m staring at my computer screens. Of course, there is a variety of visits, meetings with Clients and companies. But for most of the time, I’m at the office.

Why did you choose the specific materials you work with?

Our material palette mostly consists of materials with a natural source background. We like to use these materials because of their ability to create an environment that is very close to humans and has the ability to form a natural sense of security and warmth. The possibilities are endless, and the craftsmanship built over the past decades is just mind-blowing.

What are the technical particularities of your creations?

I guess the fact that we mostly like to hide all technical parts, which almost requires a separate study and new detailing techniques, to be able to not see them. It sounds rather absurd, but to hide everything sometimes is more challenging than the installation itself. Though at the same time being honest about construction ways, and just purely showing them. It’s each time a well-found balance.

What advice could you give to beginning artists who would like to create sculptural design works?

Just imagine that nothing is impossible, as long as your creative desire is there.

If your works had to belong to a design movement, how would you define it?

Hmm, that’s a hard one. Depends on the project and pieces, I guess. Could go in different directions. Though in most cases our work is read as minimal, to my own personal impression, I do not really agree.

What designers and artists have influenced you?

In my study, for sure, some big Belgian names, like Van Duysen, for example. But also John Pawson, Poul Kjærholm, Zumthor, Rick Owens, Chipperfield, …

What contemporary designers do you appreciate?

Many of the above. Also in the list: OOAA, Studio Ko, Hans Verstuyft, Marc Merckx, Nicolas Schuybroek, Nathalie Deboel, Francesco Balzano, Valeriane Lazard, Noro Khachatryan,…

What contemporary artists, in any kind of art, have you been inspired by?

Tranquil.

If you had to summarize your creations in one word or sentence, what would it be?

Tranquil and serene designs with a natural and warm materialisation that tries to impress the human senses and create a certain impression and calm atmosphere.

“Always stay true and hold on to your path.”

The Questionnaire

The Questions

(The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust.
Other historical figures who have answered confession albums are Oscar Wilde,
Karl Marx, Arthur Conan Doyle, Stéphane Mallarmé, Paul Cézanne…)

What is your idea of perfect happiness?

Waking up each morning with sunrises touches the white blankets and your skin.

What is your greatest fear?

Losing your beloved ones.

What is the trait you most deplore in yourself?

The enormous struggle to answer this.

What is the trait you most deplore in others?

Inefficiency sometimes.

Which living person do you most admire?

Haha, can’t choose any of the bucket list.

What is your greatest extravagance?

Going crazy with holiday expenses.

What is your current state of mind?

Going crazy with holiday expenses.

What do you consider the most overrated virtue?

Piety.

What is the quality you most like in a man?

Honesty.

What is the quality you most like in a woman?

Caring aspect.

Which words or phrases do you most overuse?

‘We shall see’.

Which talent would you most like to have?

Ability to always have a clear and peaceful mind – being chill.

If you could change one thing about yourself, what would it be?

My hair.

What do you consider your greatest achievement?

My young entrepreneurship and international relations.

If you were to die and come back as a person or a thing, what would it be?

A bird.

Where would you most like to live?

A sunny destination, close to mountains and a coastline.

What is your most treasured possession?

My hands, without that I won’t be able to create.

What do you regard as the lowest depth of misery?

Losing my life partner and my job.

What is your favorite occupation?

Creating design and new ideas.

What is your most marked characteristic?

I guess my stubborn perseverance.

What do you most value in your friends?

Loyalty and authenticity.

Who are your favorite writers?

None, I’m sorry.

Who is your hero of fiction?

Don’t have any – no the biggest lover of fiction.

Which historical figure do you most identify with?

I look towards the future.

Who are your heroes in real life?

Mid-century and later designers who shaped the contemporary design landscape of today.

What are your favorite names?

Don’t have any in particular, but mostly attracted to French ones.

What is it that you most dislike?

Fakeness and imitations (be it things or human behaviour).

What is your greatest regret?

To not always.

How would you like to die?

Peaceful and surrounded by loved ones.

What is your motto?

Always stay true and hold on to your path.

“The understanding of the importance of design, and what it could lead to as it enhances the human senses.”

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