Brajak Vitberg scaled
MAGAZINE · INTERVIEW

Brajak Vitberg

Brajak Vitberg is a multidisciplinary art and design studio founded by architects Petra Brajak and Robert V. Bijelić in Ljubljana, Slovenia. Working across collectible lighting, furniture, and objects, the studio is known for its experimental approach, combining craftsmanship, material exploration, and a distinctive visual language inspired by the idea of “incomplete perfection.”

Through limited-edition and handmade pieces, Brajak Vitberg creates works that balance architectural rigor with poetic expression, exploring light, color, and form through contemporary collectible design.

Let's know more about

Interview

Where were you born and where are you from?

Petra: I was born in Ljubljana, Slovenia, and I live there too. My parents previously lived in Croatia, and most of my family still does, so a lot of my childhood memories are from there.

Robert: Zagreb, Croatia, currently living and working in Ljubljana, Slovenia.

What is your first memory connected to the art world?

Petra: All my mother’s paintings have been in our apartment since day one. My biggest inspiration.

Robert: A house full of my father’s paintings. Also, my dad often used to take me to city museums after kindergarten. I was fascinated by pieces in the archaeological museum’s ancient Greek and Egyptian departments.

Have you always worked in the art/design field?

Petra: Yes. After college, I immediately began designing and started working in a studio that I share with my friend and university colleague, Robert.

Robert: Being surrounded by art since I was little, it was only natural for me to end up in the design world.

What led you to design creation?

We have always had an urge to instantly materialise our visions without discrepancies between the creative process and the realisation: our design is an intersection of the creative part and the material one. This is something that other forms of design, such as architecture, often fail to offer to an artist. Beauty makes us both feel alive, either through architecture, art, furniture design, or fashion.

How would you describe your creative process and its influences?

We watch, feel, explore, learn, and then design. We really talk a lot about things we like and things we have experienced. The world and the people around us are our best inspiration. It is hard to say what one’s obligation is in our studio. We really help each other with ideas while designing, and we share other responsibilities too… Sometimes Robert focuses more on the technical part of our design, and I focus more on the presentation of the design, but in the end, we always make decisions together, making everything a product of us both.

Could you describe a typical day of your work?

Coffee first. On most occasions, we meet at our favourite café downtown Ljubljana, where we share our ideas and intertwine our creative minds so each of us has something to offer to Brajak Vitberg. On some occasions, we think and create, and on others we realise our ideas, turning them into prototypes and products. Both of us have different dynamics, but we support each other, so when one gets lost or has difficulties in expressing their ideas and visions, the other is there to help with the articulation. We are friends first, then partners. We have had a strong personal bond before starting the project, meaning that this collaboration is more like a ‘productive friendship’ than a team.

Why did you choose the specific materials you work with?

We experiment with many different materials. We seek and want to learn more and more, currently working with glass, lucite, metal, and marble, but we want to broaden our design to include more varied and different materials. Our signature material is the dichroic foil – because it is so perfectly playful.

What are the technical particularities of your creations?

Glass lamination. Also, we use various approaches, which can sometimes be tricky, so we must make sure all the details are done right, which makes the process unstructured and full of improvisations and ad hoc decisions. It can be stressful, but if the product is as perfect as we strive for it to be, then it is all worth it.

What advice could you give to beginning artists who would like to create sculptural design works?

Experiment with the materials. Be open to everything. Always try, and do not give up when someone says your idea is impossible to make. Stick to your ideas and to yourself.

If your works had to belong to a design movement, how would you define it?

Contemporary.

What designers and artists have influenced you?

Petra: Gabriella Crespi, Yves Klein, Achille Castiglioni.

Robert: Geatano Scolari, Gino Sarfati, Cini Boeri, Willy Rizzo.

What contemporary designers do you appreciate?

Petra: Vicenzo De Cotiis.

Robert: Voukenas Petrides.

What contemporary artists, in any kind of art, have you been inspired by?

Petra: Olafur Eliasson.

Robert: Eli Halili, Vojtech Kovarik

If you had to summarize your creations in one word or sentence, what would it be?

Search for eternity.

“Beauty makes us both feel alive, either through architecture, art, furniture design, or fashion.”

The Questionnaire

The Questions

(The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust.
Other historical figures who have answered confession albums are Oscar Wilde,
Karl Marx, Arthur Conan Doyle, Stéphane Mallarmé, Paul Cézanne…)

What is your idea of perfect happiness?

Petra: Realisation of myself.

Robert: Self fulfilment.

What is your greatest fear?

Petra: Being mediocre, average.

Robert: Being alone.

What is the trait you most deplore in yourself?

Petra: Indecision.

Robert: Stubbornness.

What is the trait you most deplore in others?

Petra: Manipulation.

Robert: Small-mindedness.

Which living person do you most admire?

Parents.

What is your greatest extravagance?

Petra: Vintage clothes.

Robert: Old books and flea markets.

What is your current state of mind?

Petra: “I want more” mind.”

Robert: Chase.

What do you consider the most overrated virtue?

Self-discipline.

What is the quality you most like in a man?

Petra: Reliable, intellectual.

Robert: Being a good cook.

What is the quality you most like in a woman?

Petra: To be sophisticated.

Robert: Independence.

Which words or phrases do you most overuse?

Petra: I am hungry.

Robert: It is what it is.

Which talent would you most like to have?

Petra: To play Rachmaninoff.

Robert: To speak all languages.

If you could change one thing about yourself, what would it be?

To stop procrastinating.

What do you consider your greatest achievement?

Petra: Love for others.

Robert: It is yet to happen.

If you were to die and come back as a person or a thing, what would it be?

Petra: The best version of me.

Robert: Antinous.

Where would you most like to live?

Petra: Between Italy and NY.

Robert: Dalmatian island of Vis.

What is your most treasured possession?

Petra: Family.

Robert: …

What do you regard as the lowest depth of misery?

Petra: Blaming others for your failure.

Robert: Not being yourself.

What is your favorite occupation?

Petra: Coffee first thing in the morning.

Robert: Socialising.

What is your most marked characteristic?

Petra: Authenticity.

Robert: Extraversion.

What do you most value in your friends?

Petra: Genuineness.

Robert: Humor.

Who are your favorite writers?

Petra: Hermann Hesse.

Robert: de Sade.

Who is your hero of fiction?

Petra: Batman.

Robert: Catwoman.

Which historical figure do you most identify with?

Petra: Cleopatra.

Robert: …

Who are your heroes in real life?

Petra: Parents.

Robert: Single moms.

What are your favorite names?

Petra: Esther, Pierre.

Robert: Fredrik, Handrian, Kiara.

What is it that you most dislike?

Petra: Injustice.

Robert: Envy.

What is your greatest regret?

Petra: Not listening to my instinct.

Robert: I forget everything.

How would you like to die?

Petra: In the apocalypse.

Robert: In a plane crash.

What is your motto?

Petra: Surround yourself with beautiful things and great minds.

Robert: Do whatever you want.

“We have always had an urge to instantly materialise our visions without discrepancies between the creative process and the realisation.”

SHARE : 

Leave a Reply

YOU MAY ALSO LIKE