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    Marcela Cure

    Marcela Cure

    Marcela Cure is an artist and interior designer from Barranquilla, Colombia, who, in addition to designing contemporary spaces with an eclectic, architectural feel and a signature “Latin punch”, creates hand-sculpted collectible design objects.

    Inspired by the creative legacy of her late mother, an artist, Marcela began her career by designing her own homes. She did this with such unique results and traits, that friends and family began to reach out to commission her for their projects.

    It wasn’t until 2015 that “Marcela Cure” was established as a multidimensional Interior Design firm focused on objects, furniture, and contemporary projects that go from residential, all the way to hospitality, entertainment, and corporate interiors. Through clever reinterpretations of modernity and fresh perspectives on what it means to be Latin American, Marcela designs tailored, thoughtful spaces with character and wit. In addition to this, with custom-furniture and a varied series of sculptures and objects, most of which celebrate and embody the female spirit, she looks to transform everyday luxuries into “beautiful living”.

    1. Could you tell us how your journey into interior design started?

    My path into interior design wasn’t linear. I studied systems engineering, and although I grew up surrounded by art—my mother is an artist—I never imagined pursuing a career in it. Gradually, however, design found me. It began with my own projects, and soon close friends and family started seeking my input. That led to my first official interior project, and from then on, I never stopped. What started as curiosity grew into a true passion and, eventually, my profession. My subsequent sculptural exploration was born out of a need to complement my interior design spaces, which acted as a canvas for the decorative finishes.

    2. Do you think there has been a defining moment in your career?

    I think there have been many, but one very defining moment was my very first interior-design project. I took it on without having the “formal qualifications”, the technical tools, or even a team to support me—I was completely on my own. What I did have was a vision and confidence in my own taste, so I relied on this to guide me through. It was challenging, but I pushed myself through it, and after that, new projects kept coming.

    3. What do you think is the key to a successful interior design? And in your business in general?

    I believe listening is key. It’s hard not to push one’s own ideas, but truly understanding a client’s needs and desires is the foundation of a successful project. From there, to me, it’s about finding the balance between functionality and beauty, restraint and boldness. In my business, staying resilient and focused on my vision—even when challenges arise—is just as important.

    4. How do you start your interior design projects? Do you usually start with a certain element of design or a keyword? And how do they develop?

    I always begin by speaking with my clients to learn about their needs, wants, and dreams. Then I like to visit the space alone, sit quietly, and let it “speak” to me. I almost meditate there, and eventually the vision comes together: I see what the space wants to become, and from that moment the design develops naturally.

    5. How would you define your signature style? Do you have “a mantra” that encapsulates your taste in design?

    I see my work as a curation of pieces and forms. I travel extensively, research, and explore constantly to discover unique works by different artists and makers. My projects always integrate these special, one-of-a-kind elements that bring depth and character to a space. To me, it’s more about weaving together a dialogue of objects and atmospheres rather than sticking to one fixed look or concept.

    7.  Could you tell us about one of the favorite projects that you worked on?

    My own home is one of my favorite projects. It’s the space where I give myself the freedom to push harder, to experiment, and to evolve ideas without a time limit. It’s constantly transforming, which makes it both challenging and rewarding. Designing for myself has been a way to test my boundaries and refine my vision.

    8. If you could pick one interior design tip that is important to you, what would it be? 

    Let the space guide you. Don’t rush to impose a vision—spend time there, listen to the architecture, the light, and the history. If you allow the space to speak, the design will reveal itself.

    9. What was the best advice you have received in your path?

    The best advice I’ve received is not to let adversity stop me. The entrepreneurial path is always full of bumps and obstacles, but if you truly want something, you’ll find a way to achieve it. The key is to look forward, stay focused, and keep going, no matter what challenges come your way.

    10. What would be your advice to beginner interior designers?

    Be yourself. Stay curious. Educate your eye constantly, and don’t be afraid to trust it. Travel, learn as much as you can, and let every experience feed your creativity.

    11. What was one of the hardest learned lessons in your journey?

    That adversity is part of the process. In design, things rarely go perfectly. I’ve learned not to let obstacles hold me back but to pre-acknowledge them as part of the journey and plan ahead. Every day is about solving problems, moving forward, and staying focused on what I want to achieve. When I remain open-minded, obstacles often become opportunities or provide new creative angles that I can tap into.  

    12. Are there any books/podcasts you would like to recommend to our readers?

    At the moment, I’m more into podcasts. I love listening to Emma Grede, Mel Robbins, Jay Shetty, Peter Diamandis; they each bring different kinds of inspiration, perspective, and motivation.

    13. Finally, what are your upcoming projects? Anything you’d like to share or add to the interview?

    I’m currently working on the design of a fabulous corporate office, which has been an exciting challenge. At the same time, I’m continuing to expand my collectible design practice, developing new pieces and material explorations that push my sculptural language further.

    Thank you so much Marcela, for this lovely interview!

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