Dovain Studio
MAGAZINE · INTERVIEW

Dovain Studio

Dovain Studio is a Lisbon-based design studio founded by Sergio Prieto and Tiago De Lima. Working across collectible furniture and lighting, the studio creates sculptural pieces that balance artistic expression with functional design.

Drawing inspiration from architecture, travel, and everyday experiences, Dovain Studio is known for its bold use of color, geometric forms, and refined material palette. Collaborating closely with local artisans and manufacturers, the studio combines traditional craftsmanship with a contemporary design language, producing works that blur the boundaries between art and design.

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Interview

Where were you born and where are you from?

I was born in Talavera de la Reina (Spain), and I’m Spanish through and through. Talavera is world-renowned for its hand-painted ceramics, a tradition that dates back centuries.

What is your first memory connected to the art world?

It’s hard to recall a single memory from my childhood where I wasn’t painting or creating spaces using materials I found around me, especially at my grandparents’ countryside home. I even painted “frescos” on my bedroom walls during sleepless nights.

Have you always worked in the art/design field?

Since finishing university, I started an internship at a company in Lisbon. Just two weeks in, the director asked me to join the team, and from that moment on, I’ve never stopped creating furniture and design projects.

What led you to design creation?

Life itself. Since I was a child, I’ve always been fascinated by the idea of creating — solving problems through creativity and making pieces that make others feel something. The only difference back then was that I didn’t know the word “designer” existed. I used to gift drawings and paintings to friends and family for birthdays and special occasions (I started painting on canvas when I was 9). I still do that today.

How would you describe your creative process and its influences?

It’s an emotional explosion — sometimes even I don’t fully understand it. It goes through phases and isn’t always easy to control, but eventually, the right piece comes through. There’s often a tension between what I want and what makes sense, and that inner conflict is vital in design, where functionality must never be lost.

Could you describe a typical day of your work?

The only way to describe it is by adding an “a” to “typical.” Every day is a new world, a game with no set rules. The goal is to begin, but you never know where it’ll take you. Being a designer, artist, and entrepreneur (all at once) means constantly adapting and prioritizing whatever the moment demands.

Why did you choose the specific materials you work with?

From the beginning of Dovain Studio, which I co-founded with Tiago De Lima, the goal was to use local materials. It’s essential to consider where our products come from and where they’re going — and since we can only control the first part, we make sure it’s done well.

Working with wood, marble, and metal crafted by local artisans is challenging but incredibly rewarding.

What are the technical particularities of your creations?

Dovain’s pieces — and my designs in general — are like ballet: they may appear simple at first glance, but there’s great structural complexity underneath. Take the Meco chair, for example. Beyond technique, what stands out is the bold use of color and the distinctive forms that reflect my inner world.

Is there anything you would like to add?

My creations are a mirror of what one might see if there were a window into my inner world — a glimpse of how I see life and what I wish the world could be. Each piece I create is a small window into my soul.

What advice could you give to beginning artists who would like to create sculptural design works?

Each person is a world of their own. Today, when everything seems to already exist, the most important thing is to create your own image and stay true to it. Passion is intangible, but people feel it. Know where you want to go — and why. The path may change, but the intention should stay clear.

If your works had to belong to a design movement, how would you define it?

None, specifically. I’m proud to say my work doesn’t fit neatly into any category. It’s a fusion of many things at once. It’s simply Sergio Prieto.

What designers and artists have influenced you?

Both the well-known icons and the lesser-known friends and peers do extraordinary work. Even those whose work I don’t admire have shaped me in some way. But above all, I’m influenced by emotions and environments more than by objects.

What contemporary designers do you appreciate?

I admire those who’ve built their own world and swam against the current to achieve it. Designers like Ana Rod, Jaime Hayon, and Studio Shamshiri come to mind.

What contemporary artists, in any kind of art, have you been inspired by?

Those I just mentioned, plus Alice Neel, Albert Madaula, Silvana Estrada, and Slim Aarons, among many others.

If you had to summarize your creations in one word or sentence, what would it be?

Creative freedom expressed through color and flying forms.

“The most important thing is to create your own image and stay true to it.”

The Questionnaire

The Questions

(The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust.
Other historical figures who have answered confession albums are Oscar Wilde,
Karl Marx, Arthur Conan Doyle, Stéphane Mallarmé, Paul Cézanne…)

What is your idea of perfect happiness?

Calm and flowers.

What is your greatest fear?

Regretting not doing what I truly wanted.

What is the trait you most deplore in yourself?

My tendency to complicate everything.

What is the trait you most deplore in others?

Letting life pass by without embracing it.

Which living person do you most admire?

My partner, Tiago De Lima, for many reasons.

What is your greatest extravagance?

Giving myself the time I need, whenever I need it. Nothing is more valuable.

What is your current state of mind?

A creative storm — with a dash of anxiety and pleasure.

What do you consider the most overrated virtue?

Fitting into the norms of society.

What is the quality you most like in a man?

Creativity (in all its forms) and respect for everything around him.

What is the quality you most like in a woman?

Creativity (in all its forms) and respect for everything around her.

Which words or phrases do you most overuse?

“I don’t know.”

Which talent would you most like to have?

To sing like heaven.

If you could change one thing about yourself, what would it be?

Nothing.

What do you consider your greatest achievement?

Being myself — even when they said I was nobody — and continuing on my path.

If you were to die and come back as a person or a thing, what would it be?

A bird.

Where would you most like to live?

Japan.

What is your most treasured possession?

The people I’ve chosen to have around me — and a pair of Prada shoes!

What do you regard as the lowest depth of misery?

I haven’t been there (yet).

What is your favorite occupation?

Painting on canvas and reading outside.

What is your most marked characteristic?

Persistence.

What do you most value in your friends?

Their authenticity and love.

Who are your favorite writers?

Satoshi Yagisawa and a few others.

Who is your hero of fiction?

Jane Fonda?

Which historical figure do you most identify with?

Antonio Gaudí.

Who are your heroes in real life?

Anyone who fights for their dreams.

What are your favorite names?

Frida, Hortensia, and Diego.

What is it that you most dislike?

Olives — and unnecessary conversations.

What is your greatest regret?

None! I did what I felt was right in each moment.

How would you like to die?

Gently… or after fighting a lion. Definitely.

What is your motto?

Let it flow until you feel it.

“Passion is intangible, but people feel it.”

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