Kathryn M. Ireland

“The house has to speak to the outside and needs to be respectful of its history and surroundings.”
INTERVIEW
Gosh… My 1st collection 25 years ago was inspired by an early 19th-century patchwork quilt. I just looked at it one day and thought, I’ve got a collection. I get inspired by countries and travel. Mexico Meets Morocco came about when a client asked me to do a horse ranch in the Santa Monica Mountains. I simply asked. What was the vibe she was looking for? She replied, “Mexico meets Morocco”. The latest collection. East Meets West was based on the many Suzani’s I’ve collected over the years. I was working on the Cotswolds project, a barn with large windows, and not able to find the yardage of Suzanis, even if I patched them together, I decided to print them. The houses I take on are my inspiration.
I believe that houses need life, the life of the inhibitor. For the most part, it’s very apparent. It’s as if I’m a songwriter or musician, it just happens… I lead the way, but the property talks to me and gets me there, to a place where the owners are completely in love.
I arrived in LA, met a man, got married a few months later, and in the following 4 years, I had 3 boys. One night, Steve Martin came to dinner and said how much he liked my house… could I help him? The rest is history.
Defining Moment – It just happened to have my granddaughter, Georgina. I finally feel like a grown-up!
Favorite client – the one who trusts me and doesn’t question me.
Working with SM – I was new to working professionally on homes. I was renovating a French farmhouse in the Quercy region and had moved from house to house with my growing family. Thrown-up curtains here and there. He was incredibly gracious, always kind and polite. I am still most proud of this project.
Deciding factor. The energy of the house and the owners. I have a good radar for people; they need to be part of the project. It has to be a collaboration.
Wherever I go, I want to buy a house and decorate. At this point, I’d like to have an English country house somewhere in Dorset or the Cotswolds. Ideally, a bit of a hodgepodge…Elizabethan with Georgian addition. A walled garden and a fabulous approach. A place to teach Georgina how to ride…
The hardest lesson is to say NO…never take on a job for the money, even if you have to live in a bedsit. Making sure that all my T’s were crossed, and I’s dotted. One has to learn the hard way. Most people are fabulous and trustworthy, but every now and again, you come across a “bad penny”. Interior design is 80% drudge, hard work, bookkeeping, etc., and only 20% is icing on the cake.
Whatever it takes to get experience, there are online courses at Create Academy, where I have given 24 lessons…in small sound bites. A wonderful way to learn. Use your own home as a sounding board and have your project professionally photographed as soon as it is finished.
I’m a hybrid: California beach life meets French country (not crazy for that work) and English Bohemia. Down to earth, practicality rules; everything in a home needs to speak to each other.
Curtains – if those are appropriate. I think they frame a room; they are practical if you like in any house built before the middle of the last century and have original glass…Keeping in the warmth. A very good, well-built sofa.
Any of my 7 titles! Just kidding… World of Interiors. Million Dollar Decorators, a show I did 10 years ago for Bravo, is currently trending on Netflix. It shows you what life at the top is like… not so glamorous.
The house has to speak to the outside and needs to be respectful of its history and surroundings. I have been fortunate to have wonderful clients, great locations, and amazing associates. I liken house design to the film business. Everyone is important and plays a part.
Thank you so much Kathryn, for this lovely interview!
Share article :





