
Andrés Monnier
Andrés Monnier is a Mexican designer, sculptor, and founder of Monnier Studio, based in Ensenada, Baja California. Working between art, design, and sculpture, he creates collectible pieces distinguished by expressive forms, material experimentation, and a strong narrative sensibility.
Drawing inspiration from philosophy, nature, mythology, and the passage of time, Monnier primarily works with stone, combining traditional carving techniques with a contemporary sculptural language. Through Monnier Studio, founded in 2017, he develops functional objects and sculptures that explore the relationship between material, memory, and human experience.
Interview
I was born in Guadalajara, Jalisco, but I’m based in Ensenada, Baja California, in Mexico.
I think I can say that I have always loved creating. Ideas, problems, solutions, processes, etc. For me, creating is what moves me. But my first serious approach to the art and design field was when I co-started a business five years ago for exterior furniture in Guadalajara (fire pits, to be more specific). The first fire table we made was handcrafted by me. From the conception of the design, choosing materials, formulas, and basically making mistakes and learning from them. Since then, I’ve worked every single moment along with the art and design field in every project. It was a before and after in my life.
This is a hard one. My nuclear family is not close to art and design, so I developed my interest in this world when I was older. I don’t know exactly why I have this memory so present, but as a child, I remember having curiosity about a little statue of my grandmother (who was like my second mother). And with that “curiosity” I mean, I started to intervene (destroy) it with crayons and paint. My grandmother got really mad; it was a recognition statue from the Universidad de Guadalajara because my grandmother was a professor in plastic arts. She was a teacher in techniques of painting and sculpture. I don’t remember exactly what she said to me, but she didn’t punish me; instead, she gave me an explanation about the shape of the statue, and I think that’s how she opened the door of art in me. Maybe I have that strong memory because of the guilt I’m still carrying for destroying her reward.
I’ve been really introspective with this desire on creating/sculpting pieces. It’s difficult to explain it, but for me it’s a need that comes naturally. In my life, I’d work a lot, and by that I mean I’d experience a lot of different ways of living and perceiving reality. From helping my mother when I was a child in her event planning business, working in a stationery store, a money exchange center, and a packaging industrial company, to creating my first business selling desserts, then co-founding a coffee/ habanos shop, and finally co-founding an exterior furniture studio. Also, I tried studying medicine and engineering for a few years… It feels like in my short life, I desperately wanted to find myself and passion, to find a reason to live. In 2019, I lived a “life-changing experience” and that led me to realize that creating is who I am… I understood that life comes from us, not toward us.
By making pieces, I’d learn how to use different languages of creation to communicate ideas that come to my mind. Sometimes I feel limitless with words; it’s difficult for me to express my different ways of thinking. When I’m working on a piece, I’m really focused on every detail, and I learn a lot about life by working with natural materials. I like to always compare different techniques and processes of sculpting with my life and how this world moves. Design creation is really a muse for me. Is the reason I’m alive.
Inspiration comes in a variety of ways, but being focused and cerebral is critical in my process of creating. From the moment of a piece’s conception, it’s important for me to be involved with each step of the creative and production process; from developing the idea in my mind, to designing the body of work, to selecting the right material, and finally to crafting it with my own pulse.
Every day in my work is really dynamic. Anti-routine. Right now, I work on my pieces, but I also have other responsibilities in other businesses, so every day I try to be really productive alongside my team. It’s hard, and I get tired a lot, but I love it. I like to push myself to my own limits.
But when I work on my ideas, creations, and pieces, I’m really serious about it. Of course, it’s fun, but for me it’s a very important process, and I try to be at the same level. I like to make a lot of analogies between the techniques of creation and situations in real life, so for me, working on a piece is the moment when my mind drifts between reality and imagination.
I like to think that I didn’t choose stone as my signature material, but stone chose me. It sounds poetic, but there are moments when working with the material that I feel the energy going through my veins. This feeling helps me create objects that I have only seen in my mind and are difficult to describe with words. Using the stone’s energy helps me create physical objects sourced from its spiritual essence, as a result of a synergy between a wise material and the non-tangible world, as my thoughts.
I perceive my pieces as fragments of materialized consciousness. They are more than just a name and a physical object. Each piece has a specific functionality and tells a story through the combination of art, design, and sculpture. Expression is found in the textures, symbols, and shapes, while also leaving interpretation open to individual perspective. But each piece also has elements that link it to my universe of pieces as a whole.
I could write a bible. But from my perspective, the most important things that a beginner could hear are: it is never too late to start, don’t be afraid of losing yourself, focus on your work and finding your own path and languages of expression, be sensitive in your life and what surrounds you, because inspiration comes in different shapes. Finally, but not least, try to fully believe in yourself. It might not be that simple, but you’ll make it, and I can guarantee that it will make a significant difference.
Right now, with notes of brutalism and primitivism, but at the same time, installation.
To be honest, I don’t believe there’s a specific designer who has influenced my body of work, but I do believe I’ve been influenced by finding my passion and realizing who I am thanks to Richard Serra and Isamu Noguchi.
A lot. Vincenzo de Cotiis, Hector Esrawe, Aki Cooren, Niclas Wolf, Abel Carcamo, Lucas Morten, Adeline Halot, Paul Cocksedge, Jan Ernst, Isac Kaid, Pietro Francheschini, William Guillion, Jeremy Anderson… and I could name more.
Richard Serra, Anthony McCall, Henrique Oliveira, Wendell Castle…
Materialized consciousness created by the synergy between art, design, and sculpture, serving a functionality and specific purposes.
Thanks for reading 🙂
“Each piece has a specific functionality and tells a story through the combination of art, design, and sculpture.”
The Questions
(The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust.
Other historical figures who have answered confession albums are Oscar Wilde,
Karl Marx, Arthur Conan Doyle, Stéphane Mallarmé, Paul Cézanne…)
Is that possible?
Getting stuck in an infinite loop by losing my mind.
Overthinking.
Lack of empathy.
My mother.
Being a vector.
Inspir/stress – ed.
Optimism.
Empathy.
Empathy.
Teo, my dog’s name.
Singing and playing piano.
Being so sensitive. Sometimes It’s hard in this world.
My solo exhibition I did in October 2021 (Olympo).
The Reservoir, Horta de Ebro. Painting of Pablo Picasso.
Iceland.
My notebooks.
Being abusive in any sense.
Drawing designs and creating pieces.
I think being tenacious. If I set a goal I try to be unstoppable.
I love when people are loyal and honest.
Gabriel García Márquez and Antoine de Saint-Exupéry.
Claudia Tiedemann.
–
People who fight for human rights, who work to make a change in this world. Anyone fighting for others can be my hero.
Denise (as my mom), Valentina, Paolo, and Pietro.
Inequity, discrimination and injustice.
I don’t like the idea of having regrets, so I don’t think about that.
Being aware of it and in peace.
Live and let live.
“I like to think that I didn’t choose stone as my signature material, but stone chose me.”
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