Eline Baas designed for several brands in interior, lifestyle, fashion and jewellery. With years of international experience, she worked closely with ateliers and factories around the world. Growing up in an art-loving family, her affinity for art and design has always been very strong. Today this results in an art and interior design studio. With her intuitive creative vision, Eline combines her wealth of material research with her technical knowledge. She has an eye for aesthetics, quality and authenticity. Together with her love for art and combining vintage with contemporary design treasures, Eline intends to add value to a room or space and make it unique and simply beautiful. Next to her studio work as an interior designer and stylist, Eline designs and crafts an ongoing art collection under her Atelier division.

1. Where were you born and where are you from ?

The Netherlands, Nijmegen.

2. What is your first memory connected to the art world ?

Growing up in an art-loving family, my affinity for art and design has always been very strong. I was often taken to all kinds of museums and architectural icons, which deeply shaped my appreciation for art and design. At home, we were always engaged in creative activities, and this was encouraged from a very young age.

3. Have you always worked in the art/design field ?

Yes, I have always been involved in designing and creating, though I’ve applied this passion across many different industries. I constantly seek the challenge of exploring new areas, which has resulted in a broad ability to combine all the knowledge I’ve gained from these diverse fields.

4. What led you to the design creation ?

My journey into design creation was driven by a fascination with form, contrast, and material. I’ve always been intrigued by the interplay between shapes, the tension between different materials, and the harmony that can emerge from opposites. My intuitive approach allows me to explore these contrasts deeply,  guided by a broad knowledge of materials, a focus on quality, and a commitment to authenticity. I’m particularly drawn to the contrast between vintage and contemporary styles, blending the best of both worlds to create something unique. This combination has shaped my passion for creating designs that feel both dynamic and timeless.

5. How would you describe your creative process and it influences ?

My creative process is deeply intuitive, often starting with a feeling or concept that I want to explore. I begin by experimenting with different forms, materials,  and textures, embracing contrasts and the unique qualities each element brings. I’m influenced by a wide range of sources—from nature, material, vintage designs to contemporary innovations—constantly seeking a balance between the past and the present.

6. Could you describe a typical day of your work ?

A typical day of work varies greatly, and that’s what makes it so exciting for me. No two days are the same. However, I particularly cherish the days spent in my studio, where I start from scratch and fully immerse myself in my creative process. This freedom and space are essential for me to come up with something new. Being able to lose myself in my work and live my passion in those moments is the ultimate feeling. These days give me the greatest sense of freedom, which is very important to me. Thankfully, I also have a variety of projects and collaborations, so each day feels different and brings a good balance to my work life.

7. Why did you choose the specific materials you work with ?

I choose the materials I work with based on their ability to express contrast,  texture, and authenticity. My selection is driven by a deep understanding of each material’s properties—how they interact with light, how they age, and how they can transform within a design. I’m drawn to materials that offer both aesthetic beauty and functionality, allowing me to create designs that feel timeless and meaningful. Whether it’s the warmth of wood, the sleekness of metal, or the richness of stone, each material brings its own story to the  design, and I love exploring how they can work together to evoke the right emotions and impact.

8. What are the technical particularities of your creations ?

It’s more of a meticulous process that takes weeks to complete. The wax and color pigments must be applied layer by layer, allowing each layer to harden before the next one is added. Surface treatments of materials are  both time-consuming and costly. The real challenge often lies in combining different materials, as this brings about technical difficulties due to the need for specialized machines and techniques. Each material requires careful handling  and precise coordination to ensure everything comes together seamlessly.

9. What advices could you give to beginning artists who would like to create sculptural design works ?

My advice would be to give yourself time to experiment with a wide variety of materials, styles, and techniques. Make a deep study of this process and continue to explore it over time. Always seek out new techniques and materials, and try to expand your horizons as much as possible. Let yourself be inspired by the most unexpected things, and never be afraid to push the boundaries of your creativity. The more you explore, the richer your work will become.

10. If your works had to belong to a design movement, in which one would you define it ?

If my works had to belong to a design movement, I would likely define them within the realm of *contemporary* or *modernism with a focus on craftsmanship*. My approach combines a deep appreciation for timeless forms with an emphasis on texture, contrast, and materiality. I blend traditional techniques with modern sensibilities, allowing for a balance of aesthetics and functionality.

11. What designers and artists have influenced you ?

My work has been influenced by artists like Barbara Hepworth, Constantin Brâncuși, Jean Arp, and Henry Moore. Hepworth’s organic shapes and textures, and Brâncuși’s focus on purity and abstraction all inspire my approach to materiality and space. Arp’s exploration of fluid, biomorphic forms has also had a strong impact on my work,  encouraging me to think about the natural flow and balance in sculpture. Henry Moore’s large-scale, abstract pieces, which interact with their surroundings,  further shape my creative process. These artists push me to explore the harmony between form, material, and emotion in my designs.

12. What contemporary designers do you appreciate ?

Anish Kapoor, Kapoor’s use of form and reflective surfaces. Tony Cragg, creates abstract, organic sculptures that explore material transformation and the interaction between form and environment. Richard Serra is renowned for his large, monumental steel sculptures that engage the viewer’s physical experience and perception of space.

13. What contemporary artists (in any kind of art) have you been inspired by ?

A contemporary designer who is inspiring to me is Tokujin Yoshioka. He is known for his innovative approach to materials and light, such as his “Honey pop” chair made from folded paper. His designs combine elegance with an experimental approach to technology and natural elements, resulting in unique and visually striking pieces.

14. If you had to summarize your creations in one word or sentence, what would it be ?

“Transforming space through form and perception.”

PROUST QUESTIONNAIRE
(The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust.
Other historical figures who have answered confession albums are Oscar Wilde,
Karl Marx, Arthur Conan Doyle, Stéphane Mallarmé, Paul Cézanne…)

11. Which words or phrases do you most overuse?

Ohhhja?!

12. Which talent would you most like to have?

Present

13. If you could change one thing about yourself, what would it be?

Stronger spine;-)

14. What do you consider your greatest achievement?

My children

15. If you were to die and come back as a person or a thing, what would it be?

A man

16. Where would you most like to live?

On a warm island, back to basics

17. What is your most treasured possession?

My imagination

18. What do you regard as the lowest depth of misery?

Losing the ability to create

19. What is your favorite occupation?

Creating

20. What is your most marked characteristic?

Curiosity

21. What do you most value in your friends?

Authenticity

22. Who are your favorite writers?

Yuval Noah Harari, Nora Ephron, Astrid Lidgren, Elizabeth Strout, Primo Levi, AFTH van der Heiden

23. Who is your hero of fiction?

Tintin

24. Which historical figure do you most identify with?

Frida Kahlo

25. Who are your heroes in real life?

David Attenborough

26. What are your favorite names?

Lola, Bella, Bowie and Sam, Benja

27. What is it that you most dislike?

Rules

28. What is your greatest regret?

Not starting sooner 

29. How would you like to die?

Fast

30. What is your motto?

Do not take yourself too seriously!