La Fabrique noir 12 scaled
MAGAZINE · INTERVIEW

La Fabrique Noire

La Fabrique Noire is a French design studio whose practice explores the intersection of architecture, furniture, and collectible design. Rooted in a strong appreciation for craftsmanship and material experimentation, the studio creates sculptural objects and interiors that balance functional clarity with a refined artistic sensibility. Through a careful dialogue between form, texture, and proportion, its work seeks to evoke quiet emotion while celebrating the expressive qualities of natural materials.

Working across limited-edition furniture, bespoke commissions, and spatial design, La Fabrique Noire develops pieces that blur the boundaries between art and design. Guided by a commitment to artisanal production and timeless aesthetics, the studio creates contemporary works distinguished by their tactile presence, understated elegance, and enduring relationship with materiality.

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Interview

Where were you born and where are you from?

I live in Belgium, Fontaine-l’Évêque. I’m from Namur in Belgium.

What is your first memory connected to the art world?

The first time I was connected to the art world, it was unconsciously at the beginning of my life, when I saw nature; for me, art is everywhere in nature.

Have you always worked in the art/design field?

No, I was a steel craftsman in the industry before.

What led you to design creation?

Passion for handmade, the liberty, the happiness sensation when I create, the possibility to transmit a message.

How would you describe your creative process and its influences?

My creative process is a transmission of my moment feeling, my moment emotion.

Could you describe a typical day of your work?

I always start my workday with a cup of coffee! But the real beginning was yesterday, when I thought, when I dreamed that I would do this or that. After coffee, I look at raw materials during some times, and inspiration comes to me. Depending on my inspiration, I start with woodworking or steel working or stone working. I work until my spirit is connected; I take a break when I feel it. The day is a mix of work, thoughts, and emotions. It’s different every day.

Why did you choose the specific materials you work with?

Wood and stone are very inspiring materials. Nature has a lot of witnesses of the past; in wood, it’s the story of the weather; in stone, it’s the story of the earth! Very fascinating for me.

What are the technical particularities of your creations?

It’s a mix of old technicals, like shou sugi ban, tenon mortise, welding, stone working, and no conventional methods, too.

What advice could you give to beginning artists who would like to create sculptural design works?

He must trust himself; he must listen to himself and let yourself be guided by your inspiration. Rest will come.

If your works had to belong to a design movement, how would you define it?

I do not define myself in a design movement; I am inspired by contemporary art, African art, Japanese art, and nature, obviously, so I let people judge where they see me

What designers and artists have influenced you?

Georges Nakashima, Axel Vervoordt, Pierre Soulages, David Nash, Nature.

What contemporary designers do you appreciate?

Kaspar Hamacher, Yann Dessauvages, Arnaud Declercq, Benoit Viaene, Frederic Saulou.

What contemporary artists, in any kind of art, have you been inspired by?

Ileana Moro, Pierre Soulages, Jojo Corvaia, and Katrien Doms.

If you had to summarize your creations in one word or sentence, what would it be?

Authenticity.

Is there anything you would like to add?

For me, it’s a privilege to be in this interview, so thanks for that.

“Nature has a lot of witnesses of the past; in wood, it’s the story of the weather; in stone, it’s the story of the earth.”

The Questionnaire

The Questions

(The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust.
Other historical figures who have answered confession albums are Oscar Wilde,
Karl Marx, Arthur Conan Doyle, Stéphane Mallarmé, Paul Cézanne…)

What is your idea of perfect happiness?

The perfect happiness comes to me every day when I open my eyes, and I see nature, family, and friends.

What is your greatest fear?

Disappoint people I love. 

What is the trait you most deplore in yourself?

I am stubborn.

What is the trait you most deplore in others?

Lack of open-mindedness.

Which living person do you most admire?

My wife.

What is your greatest extravagance?

I will tell you that after a few drinks.

What is your current state of mind?

Full mindedness of all in my life.

What do you consider the most overrated virtue?

Charity.

What is the quality you most like in a man?

Sincerity.

What is the quality you most like in a woman?

Being a woman is already a quality.

Which words or phrases do you most overuse?

If you are happy, I’m happy too.

Which talent would you most like to have?

Know how to paint.

If you could change one thing about yourself, what would it be?

Be calmer.

What do you consider your greatest achievement?

Be a good husband.

If you were to die and come back as a person or a thing, what would it be?

An eagle.

Where would you most like to live?

In a mountain chalet.

What is your most treasured possession?

The memory of my grandmother.

What do you regard as the lowest depth of misery?

The war.

What is your favorite occupation?

Do bread.

What is your most marked characteristic?

I am sensitive.

What do you most value in your friends?

Sincerity.

Who are your favorite writers?

Jean d’Ormesson.

Who is your hero of fiction?

Batman.

Which historical figure do you most identify with?

Nelson Mandela.

Who are your heroes in real life?

My grandmother.

What are your favorite names?

Elie.

What is it that you most dislike?

Hot weather.

What is your greatest regret?

Be an artist earlier.

How would you like to die?

Smiling.

What is your motto?

Less is more.

“My creative process is a transmission of my moment feeling, my moment emotion.”

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