I’m from Austria and was born in Vienna.

Philipp Aduatz
Interview
Mainly conceptual art, my father used to bring me to art exhibitions from my early childhood on. I remember when I was very young that I loved conceptual art the most.
No, my artistic beginnings were with painting in the studio of my father, who was a draftsman. I painted nearly 150 large oil paintings in my youth as a pupil and had my first exhibition in 1997 when I was 15 years old.
Besides my artistic roots, I have also always been drawn to natural sciences, especially materials research. Through my work at the interface of design and art, I can live out these two disciplines fully and express myself freely.
A big part of my creative process is experimentation. I love to discover and explore materials in a playful way. Another part of my work is science; some pieces start with a theoretical concept, others with new fabrication technologies such as 3D concrete printing or laser scanning. A big influence has also always been sculptors who fascinate me till today the most.
Every day is very different. Sometimes I work the whole day in my studio, on another day I visit a production facility, and sometimes I’m at the university because I’m also a scientific research associate. I like the variety of my life and that every day is different.
I don’t have any specific preferences for certain materials. I think every material has its own eligibility with certain benefits and drawbacks. During my career, I would like to work with every possible material, and of course, every new material.
To use technology and solve technical hurdles in order to serve an aesthetic concept or idea.
Prepare to have very strong stamina for this profession; it takes a lot of effort and time to establish your own brand and design. It took me much longer than I expected.
I once liked the term “Design Art”, introduced first by Alexander Payne. Even though this term received a bad rap, in the meantime I would describe it as an interesting term for a movement I feel my work belongs to.
A designer who also worked at the interface of design and art, like Danny Lane, Wendell Castle, Ron Arad, Marc Newson, or Zaha Hadid.
Mostly the young generation of British and Dutch designers who also work at the intersection of design and sculpture.
Mostly sculptors like Constantin Brancusi, Tony Cragg, Hans Arp, Franz West or Richard Serra.
Experimental and Unique.
“A big part of my creative process is experimentation.”
The Questions
(The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust.
Other historical figures who have answered confession albums are Oscar Wilde,
Karl Marx, Arthur Conan Doyle, Stéphane Mallarmé, Paul Cézanne…)
To be bored and have time think about new projects.
To have a 9-5 job.
Impatience.
Being disrespectful.
Elon Musk. A true visionary.
My decadency.
Relaxed.
Pleasure.
Good-naturedness.
Kind-heartedness.
Theoretical and concept.
To be musical.
My impatience.
My family.
A jet.
Los Angeles or New York or maybe both.
I’m not such a materialist.
To be a politician.
Boxing.
I’m a very quiet person.
Reliability.
Thomas Bernhard, Oscar Wilde, Edgar Allan Poe.
Jane Marple.
Tiziano Vecellio.
People who care for others.
Neo & Nemo.
Bad Food.
That I didn’t do an exchange semester during study.
During sleep.
The easiest way to survive is by not giving up.
“Through my work at the interface of design and art, I can live out these two disciplines fully and express myself freely.”
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