I am strongly influenced by African art, which emphasizes the importance for an artist to be in a certain state before creating, an approach deeply rooted in spirituality. I strive to cultivate inspiration before opening my sketchbook. This involves immersing myself in art books, capturing photographs, and extensively writing to document my evolution and weave a narrative. The rest of my time is devoted to working on technical elements, digital modeling, and production.

As a mother, my day typically begins by accompanying my son to kindergarten and dedicating all my attention to him. Afterward, I dive into work, managing projects, handling emails and calls, overseeing production, or drawing the upcoming pieces. However, as my primary production occurs abroad, my schedule often varies. I travel frequently, working closely with artisans. Additionally, I’m actively involved in missions through various entities like the World Design Organization (WDO), contributing to initiatives that focus on international design and its diffusion. My role revolves around navigating the transcultural aspects of design. I view this engagement as a fundamental aspect of my work.

I choose materials that lend themselves to carving or sculpting, aligning with my aesthetic vision while conveying a sense of steadiness. I work with natural materials that embody both strength and expressive potential but also evoke a sensory response, like the warmth of solid wood or the reflective allure of marble stone.

My pieces emerge from extensive manipulation, transformation, and a dedication to experimentation. Working mostly with artisans from Morocco and Turkey, I try to fuse traditional hand techniques with modern material approaches.