I was born and live in Japan.

Shinji Wakasa
Shinji Wakasa is a Japanese designer and artist whose practice explores the relationship between material, process, and sculptural form. Working at the intersection of collectible design and contemporary craft, he creates furniture and objects distinguished by their quiet monumentality, tactile surfaces, and understated elegance. Rooted in a deep sensitivity to natural materials, his work embraces imperfection, allowing texture, time, and the making process to become integral elements of each piece.
Working primarily with wood, stone, and metal, Wakasa combines traditional craftsmanship with an experimental approach to construction and surface treatment. His practice investigates the expressive potential of materials through refined forms that balance structural clarity with organic irregularity, resulting in timeless works that blur the boundary between sculpture and functional design.
Interview
It goes back to my childhood, I think. My father was a graphic designer, so I grew up in a house where there were font collections, photo material, and design books.
I don’t know. But I’ve always loved birds. Since I was a child. They have a wonderful musicality and sound. I think I was very influenced by them. I wanted to be just like them.
It’s a very difficult question, because I don’t really know my creative process. Of course, I know when I started, but I think my work is automatic. I believe that the repetition of creating a piece, the repetition of playing an instrument, shapes me and thus resurfaces previously felt impressions, emotions, and sensations that have settled in my mind and that I have already forgotten, and automatically builds on these.
First, I usually drink coffee when I wake up in the morning, then push the start button of the PC and the Synthesizer. After that, I go on a trip–hahaha!
I think I am not interested in defining a movement or a category for my work. If people listen to my work, they can decide!
“Dream diary”
Well, I think anyone can do it. If I had to choose, I would say “To be interested, or not to be interested”.
It’s a very important question for me. Images are of utmost importance in my work. They can influence all of my work and how I do it. When everything goes smoothly, leave it as it is. All you have to do is just adjust the sound at the end. But other ones force the image into shape. At first, I gradually tame the image, very much like a stray dog that can’t be ordered as I say. At one point, it becomes “friend” with the image, and it changes into something that was never imagined. And I say thanks when it is done.
One of those is Doug Aitken (Contemporary video installation artist). I really love and always get inspired by him.
I love the world. Thank you.
“Architecture and sculpture melt in the air.”
The Questions
(The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust.
Other historical figures who have answered confession albums are Oscar Wilde,
Karl Marx, Arthur Conan Doyle, Stéphane Mallarmé, Paul Cézanne…)
Own your own way.
Confined space.
Prejudice.
Prejudice.
I think: my friends.
Ah… Going to Onsen ♨︎.
It’s good.
Blood relative.
Someone who is trying to master something.
Someone who is trying to master something.
Really.
It’s my good ear haha A good ear. Haha!
I don’t want nothing change everything I don’t want to change anything.
I haven’t done anything yet, so I’ll do my best from now on – totally.
I think I wanna be a Bird.
In a forest, near by a river.
Richness of emotions, perspective of things.
Despair and fiction.
Painter.
Texture of sounds.
Respect for each other.
Franz Kafka, Ryunosuke Akutagawa.
Totoro.
I have no idea, haha.
Actually Satoshi Ashikawa and his works.
My name: Shinji.
All prejudice and tuning pressure.
Why weren’t you born as a bird?
If I can, in a quiet environment.
Enjoy the change of everything.
“The repetition of creating a piece shapes me and resurfaces previously felt impressions, emotions, and sensations.”
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