Behind The Scenes: Kaaron
Behind the screen by Kaaron, we are acrobats seeking to SEE. Seeing is for us an understanding of a balance setting a function. When we draw, it is not the pragmatism and the obviousness of a function that motivate us, but rather the story built around an object.
After a drawing, a story begins. By the meeting of art craftsmen and their knowledge, choices of noble materials, listening and weaving human value, matter takes a shape of a symbolic depth.
In this story of depth, it awakens us! A chasm questioning technical aspects that sometimes becomes a fall! A burst becoming a center of weightlessness where suddenly a form emerges! Sharing with the matter a simple joy which goes to admire her raw aspect, her beauty and its complexity, her mystery, to her metamorphosis. We then become craftsmen at the service of intuition.
The technical challenge is always a part of the adventure that we propose to the craftsmen. We question the machining and the potential mechanical play of the handmade. In this reflection, as much for them as for us, it enriches a dialogue, offering another way of seeing and making.
By choosing the marriage between different materials, we celebrate complementary know-how as a way of balanced experimentation: wood and stone, glass and stone, etc. Then furniture and objects answer to a domestic architecture. We imagine them as little centres of dialogue contained within a void, and we approach them as if they were not meant to reveal their technical complexity.
We are particularly watchful towards the play between the feasible and the impossible. We explore, through drawing, the purity of assembly. This idea that tension creates balance without trying to fall into an obvious aesthetic. We are not looking for the sophistication of materials because we cherish the life they contain. The wood will be simply waxed, the marble with an antique polish, the blown glass left with its impurities… By then, the dialogue between a machined object and a handmade object becomes obvious. Closer to the heart.
In conclusion, we give them names as if each one belongs to a filiation within the same family.
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