Belgium. I grew up in a small, idyllic town called Lier, just outside of Antwerp. I now live in Antwerp.

Thomas Van Noten – TOGIGI
Thomas Van Noten is a Belgian artist and founder of TOGIGI, whose practice explores the relationship between architecture, nature, and ceramic sculpture. After leading large-scale construction projects, he established his atelier in 2024 to pursue a material-driven practice rooted in experimentation and craftsmanship. Working primarily with ceramics, he creates sculptural objects distinguished by their expressive textures, architectural presence, and organic forms.
Guided by a fascination with innovation and making, Van Noten continuously develops new techniques that expand the possibilities of ceramic craftsmanship. Drawing inspiration from both the built and natural environments, his work weaves together structure, light, and materiality, creating pieces that invite a sensory dialogue between human experience, nature, and architecture.
Interview
Dries Van Noten. As a child, I remember my first-grade teacher asking if I was related. From that day on, I became fascinated by his work and persona. Living in the same city and sharing the same surname, people often asked me if we were related. I’m not.
No. I first built a career in construction and real estate development. I’ve always had a strong interest in the engineering side of creation. I often led the construction of medium- and large-scale projects. The skill set I developed there helped me tremendously in starting my own atelier, Togigi. However, it also has a downside, as I entered a world I wasn’t familiar with quite ‘late’. I spent a long time working in silence, polishing my skills. I often wonder if I should have shared pieces sooner. But I suppose you only know yourself when the time is right—and for me, that was this year (2024).
I first encountered design-making during my short period in architecture school before transitioning to construction. At the age of 28, I moved to Mexico and traveled through Latin America. I lived quite “off the grid” for a long time. Breaking away from what you think is “normal” was absolutely necessary to (re)discover my passion for creation. The creative spirit in Mexico strongly influenced this decision. I began my journey by collaborating with a carpenter there. I chose to design a functional object that required ingenious woodworking techniques. I focused on designing before I started making it myself.
Often, it’s nature that attracts me. I’m fascinated by how versatile it is and what we can draw from it. I love to create stories. If somehow, through my work, I could have any social impact, I would be happy.
No day is typical. I like having this freedom, even though the work often requires routine. I always start my day quite early (6-7 o’clock), a habit inherited from my time in construction. If any administrative tasks are needed, I plan them in the morning. I go to the atelier around noon and work there until the evening. If I don’t schedule atelier time, I need a 15-30 minute siesta. Sports, along with reading and drawing, are reserved for the evening.
Mainly natural products or materials that help me reflect a natural process or just create an absolute contradiction.
I have an experimental approach, and I wish to push the boundaries of craftsmanship by integrating innovation. I guess it comes from my background in engineering, but I have a deep passion for employing innovative techniques to create objects. These methods exist only because of our relentless pursuit of progress, so why not using it? The experimental side of the atelier stems from my deep interest in new things. I love gathering material from my surroundings and experimenting with it.
Something contemporary.
I mainly get my influences from sources other than design.
The list is long, filled with the incredible work others produce. Along the way, I meet so many talented artists. I admire them a lot, and I’m always happy to see their work pop up somewhere. I enjoy having a personal connection with fellow artists, no matter their field. I particularly admire those who make a social contribution to art.
Martin Margiela, Noguchi, Yohji Yamamoto…
Storytelling.
Embrace failure.
“If somehow, through my work, I could have any social impact, I would be happy.”
The Questions
(The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust.
Other historical figures who have answered confession albums are Oscar Wilde,
Karl Marx, Arthur Conan Doyle, Stéphane Mallarmé, Paul Cézanne…)
Freedom
Become mad
Procrastination
Dishonesty
I have a warm family and a group of friends. So, every person in it. They know
Travel and discover new influences, and people and create new stories
Definitely not mad
Television
Humor
Humor, honesty and the ability to have a great persona for others
Fantastic
To sing
Concentration span = 0
A good listener
Penguin
México or Spain. At the coast
My apartment
Being fake
Hanging out with like-minded souls
Spontaneous
The most authentic human beings. They have all the right to, but they don’t take themselves too seriously. They are the ones who make me laugh the hardest
J.R.R Tolkien
Chandler Bing
Noguchi
My parents, my sister and my nephew
I like the name my parents gave me
Brussels sprouts
None
Having lived a rich life, surrounded by friends and family, laughing so hard that my heart stops
Be kind to yourself and others
“Find your unique way of creating. It lies within you, but go beyond to test and trigger it.”
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