My process starts by identifying the setting for the work and the client’s vision. I value the idea of creating something relevant to this specific moment, which leads me to the right choice of materials and methods. In terms of influence, I’ve always loved natural shapes and scenery, but recently, the ‘realizations’ I gain through hands-on experimentation and the physical act of creating have become my biggest source of inspiration.

Since I operate as a private studio, I handle a wide range of tasks, so my schedule changes almost every week. For example, my work involves everything from excavating and preparing raw clay to the actual creation and firing of pieces. At the same time, I manage office tasks like responding to inquiries and emails, as well as packing and shipping works for exhibitions or clients. Amidst all this, I am constantly conceptualizing new pieces and upcoming projects.

I want to honor my roots and identity as someone from a historic center of traditional crafts. Based on that foundation, my desire is to create works that only I can produce by using materials that connect my heritage to my own creative vision.

My work is defined by two distinct styles:

1. Raho (Spiral throwing technique): This involves using highly plastic Bizen clay on an electric potter’s wheel. I use centrifugal force to create unique twisted patterns and textures.
2. Bizen Wild Porcelain: I personally excavate natural porcelain clay from deep underground in the Bizen area to create these works. Both styles are deeply rooted in the land of Bizen, yet they utilize my own original techniques and materials.