Philia
Magazine

My earliest memories are very domestic and very visual. As a child, I was obsessed with spaces — everywhere I went, I had to touch and see all the rooms. I didn’t know it then, but I was fascinated by how materials, colours, and lighting could tell a different story in every space.

At the same time, I spent hours drawing, making things with my hands, and even doing my brother’s art homework for fun.

Beatriz Bolibar is a Barcelona-based interior designer and ceramic artist, and the founder of Cuit Studio. Trained in Interior Design at BAU and later completing a master’s degree in Hospitality Design at Elisava, she developed her early career working across high-end kitchens, as well as bars and restaurants in Amsterdam. While her professional path initially unfolded within hospitality, her focus gradually shifted toward the home — intimate, lived-in spaces shaped by light, material, and everyday rituals.

Working with ceramics since the beginning of her career, Bolibar developed a parallel practice that has become central to her work. What began as an intuitive and personal exploration evolved into a tactile extension of her spatial thinking, allowing her to move between scale, from architecture to object.

Through Cuit Studio, she brings together interior architecture and hand-built stoneware pieces — often conceived as lighting, vessels, or quiet sculptural forms that inhabit domestic environments. Her work is guided by a slow, material-driven process rooted in craftsmanship, where texture, weight, and imperfection are embraced as essential qualities.

Balancing structure with sensitivity, her practice reflects a contemporary approach to living — one that values restraint, atmosphere, and emotional resonance over spectacle. Each project and object is conceived as part of a broader narrative of the home, where design is not only seen, but lived with over time.

My earliest memories are very domestic and very visual. As a child, I was obsessed with spaces — everywhere I went, I had to touch and see all the rooms. I didn’t know it then, but I was fascinated by how materials, colours, and lighting could tell a different story in every space.

At the same time, I spent hours drawing, making things with my hands, and even doing my brother’s art homework for fun.

Mateus Dutra is a Brazilian-born designer based in New York and the founder of Atelier Dutré, a practice situated at the intersection of sculpture and function. Drawing from an international background spanning fashion, photography, and interior design, his work is informed by time spent between New York, Paris, and Scandinavia.

Working primarily with stone, Dutra approaches marble as a material of both physical presence and emotional resonance. His practice explores form, proportion, and surface, creating sculptural objects that balance weight with restraint and permanence with a sense of movement.

Rooted in a family lineage connected to stone extraction and craftsmanship, his work reflects an ongoing dialogue between inherited knowledge and contemporary experimentation. Through furniture and spatial objects, Dutra reinterprets traditional materials for a contemporary context, seeking to create pieces that are both grounded and enduring.

Studio Chacha, founded by Cha Shin-sil, is a Seoul-based design studio working primarily with glass. Her practice explores the delicate balance between control and unpredictability inherent in the material, embracing the transformative qualities of heat, light, and transparency.

Through experimental processes, Cha reinterprets familiar forms into sculptural objects that blur the boundary between function and art. By layering colors, altering geometric structures, and manipulating glass through lampworking techniques, her work creates optical depth and shifting visual effects that invite closer observation.

Positioned between collectible design and material exploration, Studio Chacha produces objects and furniture that emphasize the expressive potential of glass, where subtle variations in color, texture, and form transform everyday typologies into unexpected visual experiences.

Nicholas Bijan Pourfard is a Southern California-based designer whose work moves between furniture and collectible design, shaped by an early foundation in luthiery. After crafting over 400 bespoke guitars under his label Prisma Guitars, he transitioned toward furniture as a means to expand his exploration of form, material, and expression.

His practice is driven by a dialogue between structure and movement, where materials are not only shaped but activated, giving rise to objects that feel both dynamic and grounded. Through a process rooted in making, Pourfard develops a sculptural language that balances tension and fluidity, precision and intuition.

Blending traditional craftsmanship with a contemporary sensibility, his work reflects a deeply personal approach to design — one where each piece becomes an extension of identity, narrative, and transformation.

Hyungshin Hwang is a Seoul-based designer whose work explores memory, materiality, and structure through furniture and objects. Trained in woodworking and furniture design at Hongik University, where he earned both his BFA and MFA, Hwang develops a restrained visual language that translates everyday experiences and emotional narratives into carefully crafted forms.

Central to his practice is the ongoing Layered Series, first introduced at the Korea International Art Fair in 2007. Through modular construction and layered surfaces, the series reflects the accumulation of time, memory, and lived experience. Hwang’s work has been exhibited internationally at Milan Design Week, DMY Berlin, Design Days Dubai, and Art Beijing, and presented at institutions including La Triennale di Milano and the Korea Craft & Design Foundation.

Kazuya Ishida is a Japanese ceramic artist based in Bizen, one of Japan’s six ancient kiln sites, known for its traditional unglazed stoneware. Born into a family of potters, he trained at the Bizen Ceramics Center and Kyoto Prefectural Ceramics Technical Institute before completing an apprenticeship under Jun Isezaki.

Following several years in the UK, where he expanded his approach to ceramic practice, Ishida established his independent studio in Bizen in 2013. His work is distinguished by dynamic, spiraling surface marks—an expressive language rooted in rhythm and movement, influenced by his early interest in breakdancing.

Working with natural clay and ash glazes in dialogue with Bizen tradition, Ishida develops contemporary forms that evoke elemental landscapes—eroded rock, shifting tides, and geological textures. Bridging heritage and experimentation, his practice reflects a deeply physical engagement with material, where process, fire, and movement shape each piece into a singular, tactile expression.