We are both based in Mumbai, India – born and brought up in this city.

Studio Indigene
Studio Indigene is an Indian design studio founded by architects Tanvi Deolekar and Shubham Mestry, whose practice explores the relationship between sculptural form, craftsmanship, and everyday function. Working across furniture and objects, the studio creates minimalist designs distinguished by clean lines, refined proportions, and a thoughtful exploration of volume.
Working closely with skilled woodworkers, Studio Indigene combines traditional craftsmanship with contemporary design, primarily using wood alongside a restrained palette of materials. Guided by a deep appreciation for material authenticity, the studio creates timeless pieces that celebrate tactile beauty, artisanal expertise, and the expressive character of handcrafted objects.
Interview
Having studied Architecture, we were introduced to design, which is where our journey began.
Yes, while we have never really taken up a job in the design field, we started Studio Indigene right after we graduated from Architecture school, and hence have been working ever since as designers, studio and business runners, and everything that goes with it.
As students of architecture, we were not only exposed to space-making and large-scale structures but also to the design and detailing of the smallest products. This part of the design was amusing and engaging to us – we realized the impact the smallest objects could make on their user and space. This is how we came about to explore product and furniture design. We wanted to explore how we could apply our education and design sensibilities to create objects of a varied scale and functionality. But this was not only limited to our desire to create, but to build a business based on products we created – we see the freedom to design for our brand as the ultimate gift we have given ourselves and hope to keep building Studio Indigene and to keep creating more works.
We have an experience of 5 years now, which began right after we graduated and started the studio. As young designers, we often ponder the same question and realize that we are yet to come up with a core philosophy. While we started on the journey of building a design studio with certain ideas, these ideas have now evolved or even changed. We like to think of ourselves as designers, not too rigid, willing to let our philosophies change with every learning and experience. As for our creative process, we simply sit down with a pencil and paper and sketch till we feel like we might have something worth turning into a piece in real life.
A typical workday begins with packaging and dispatch, followed by meetings or calls with clients. Some days involve sitting down at the drawing boards, and some days involve spending hours and hours at the workshop with our artisans. We also work on our social media accounts ourselves, which involves photoshoots and generating creatives.
We envision designs that correspond to the commonly recognized principles of design yet have a narrative that forms distinctive identities. These designs will stand the test of time and will have limitless lives. We often like to think of Indigene products as heirloom pieces, made with a passion for design and craftsmanship, a quiet but prized part of one’s possessions, waiting to be passed on – to this idea, wood corresponds perfectly in our minds. A wooden piece exudes an emotional quality, in its skilled making and in the attachment a user forms with the piece.
While we feel artists must explore, find their mediums, and keep creating, we would like to offer some advice.
Firstly, one has to be patient for their work to be received and recognized. However, this does not mean one should be passive – propagating and advertising your work actively must also be something a creator must undertake.
Opportunities to keep making more works will come only if an artist/designer actively tries to reach out to the right audience.
Paul Matter, Ashiesh Shah, Ravi Vazirani.
Objects that aspire to form distinctive identities in their simple structure and materiality.
“We often like to think of Indigene products as heirloom pieces, made with a passion for design and craftsmanship.”
The Questions
(The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust.
Other historical figures who have answered confession albums are Oscar Wilde,
Karl Marx, Arthur Conan Doyle, Stéphane Mallarmé, Paul Cézanne…)
All stray animals fed and taken care of
Losing hope
Self-doubt
Pretentiousness
Each other – Shubham & Tanvi
House in the hills
Occupied
Balance
Reliability
Reliability
Thank you
No talents, but skills – business building, delegation
Apologetic nature
Building Studio Indigene
A cat (hopefully become friends with our cats)
A small European town
Our data (drawings, schematics, media)
Losing hope
Designing
Perseverance
Support through thick and thin
Dan Brown, Enid Blyton (from childhood), J. K. Rowling
Batman
We do not think of ourselves as significant enough
Our parents
–
Repeating mistakes once made
We believe we haven’t lived enough to answer this
Quickly
Live and let live
“We realized the impact the smallest objects could make on their user and space.”
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