Claremont, California.

Vince Skelly
Vince Skelly is an American sculptor and designer based in California, whose practice explores the relationship between sculpture, furniture, and the natural world. Working primarily with salvaged old-growth redwood, cedar, and fir, he hand-carves each piece from a single block of wood, allowing the material’s grain, history, and imperfections to shape the final form. His work balances functionality with sculptural expression, drawing inspiration from ancient monuments, vernacular craftsmanship, and the landscapes of the American West.
Guided by an intuitive and process-driven approach, Skelly transforms fallen trees into collectible objects distinguished by their bold silhouettes, tactile surfaces, and quiet monumentality. Combining traditional woodworking with a deeply material-led practice, he creates timeless works that celebrate the enduring character of wood while exploring the dialogue between utility, memory, and sculpture. His work has been exhibited internationally and featured in publications including The New York Times, Architectural Digest, and Sight Unseen.
Interview
Claremont is full of public art sculptures. As a kid, I saw them as play structures. It’s one of the reasons that I make art that you can interact with.
Yes. I studied visual communication in college, then began experimenting with sculpture in my free time.
I couldn’t afford or find the things I wanted to display in my home, so I started making them myself.
My influences come from the relationship between ancient building forms and their similarity to contemporary architecture and furniture.
I work in a reductive process, sculpting all my work from a single block of wood. I use a chainsaw and different hand tools. Often the wood will present something unexpected, like a large crack, and I’m forced to find a solution. I like when that happens because it provides spontaneity.
There’s no typical day really. Sometimes I wake up and go collect wood from various sources around the city. Other times I go straight to the studio and start sanding or carving a piece.
I love natural materials because of the organic connection they have with the earth. Wood is interesting because the grain plays a significant role in the sculpture. It becomes the color and texture and holds energy.
They usually have to have a function, like a flat top for a table, or a seat.
Look to ancient history, art, and objects of everyday life for inspiration. So much of ancient work looks and feels organic, naturally.
The Wood Age.
Isamu Noguchi, JB Blunk, Evelyn & Jerome Ackerman, Henry Moore, Andre Bloc, Wharton Esherick, Mark Mills, and Alma Allen.
Millard Sheets, Sam Maloof, Lloyd Kahn, Axel Vervoordt.
Thaddeus Mosley, Alma Allen, Josh Kermiet, Shiela Laufer.
Wooden Sculptures of Megalithic Structures.
I believe that the mere beauty of an object is superficial, and in the end, it is the spirit of an object that attracts us.
“Look to ancient history, art, and objects of everyday life for inspiration.”
The Questions
(The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust.
Other historical figures who have answered confession albums are Oscar Wilde,
Karl Marx, Arthur Conan Doyle, Stéphane Mallarmé, Paul Cézanne…)
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