Philia
Magazine

Zanini de Zanine is a Brazilian designer based in Rio de Janeiro whose multidisciplinary practice spans collectible furniture, interiors, and art. Drawing inspiration from Brazilian culture, craftsmanship, and natural materials, he creates sculptural works that balance organic forms with a refined contemporary sensibility.

Blending artisanal traditions with industrial production, Zanini de Zanine develops pieces distinguished by expressive materiality and a strong connection to place. His work reflects an ongoing dialogue between heritage, sustainability, and innovation, resulting in timeless designs with a distinctive sculptural presence.

Zena Holloway is a British bio-designer and founder of Rootfull, a London-based studio exploring the intersection of nature, craft, and material innovation. Her practice centers on cultivating plant roots into sculptural lighting and objects, allowing natural growth processes to shape each piece. Formerly an internationally acclaimed underwater photographer, Holloway’s experience documenting marine environments inspired her transition into bio-design. Through Rootfull, she has developed a pioneering process that merges biological growth with traditional craftsmanship. Her work has been exhibited internationally, including at the Victoria and Albert Museum and the London Design Festival.

Studiopepe is a Milan-based architecture and design studio founded in 2006, working across interiors, collectible design, and creative direction. Renowned for its multidisciplinary approach, the studio creates immersive environments and objects that balance refined materiality with a strong sense of narrative, combining formal precision with poetic expression.

Through a thoughtful interplay of colour, texture, and composition, Studiopepe develops projects distinguished by their layered atmosphere, contemporary elegance, and enduring emotional resonance

Harshita Jhamtani is an Indian designer and the founder of Harshita Jhamtani Designs, a Mumbai-based studio established in 2019. Her practice is rooted in a thoughtful balance between material innovation and environmental responsibility, with a focus on creating objects that are both visually striking and enduring in function.

Trained in architecture at the University of Mumbai and in furniture design at the Florence Institute of Design International (FIDI), Jhamtani approaches design through a multidisciplinary lens. Her work reflects a sensitivity to form, material, and process, often exploring sustainable techniques and conscious production methods.

At the core of her studio is a commitment to longevity — designing pieces that transcend trends and are intended to be lived with over time. Through a refined, minimalist language, her work engages with a broader dialogue on sustainability, craftsmanship, and the evolving role of design in shaping a more responsible future.

Saerom Yoon (b. 1985) is a Seoul-based designer and artist whose multidisciplinary practice spans collectible furniture, sculpture, and installation. Educated in woodworking and furniture design at Hongik University, he explores the poetic relationship between material, light, and memory, transforming ephemeral experiences of nature into sculptural works that balance functionality with artistic expression.

Working primarily with dyed acrylic resin, wood, and metal, Yoon creates luminous compositions inspired by the shifting colors and atmospheres of sunrise and sunset. Through an ongoing exploration of transparency, reflection, and color, his works capture fleeting moments of landscape and emotion, inviting quiet contemplation while dissolving the boundary between design and sculpture. His work has been exhibited internationally and recognized with distinctions including Wallpaper* Design Awards’ Next Generation Designer of the Year.

Sisan Lee (b.1995) is a Seoul-based designer whose practice explores the relationship between nature and the artificial. Working across sculpture, furniture, and spatial objects, he investigates how raw natural materials interact with the structural logic of industrial production.

Through the use of materials such as stone, wood, and metal, Lee creates compositions that highlight the tension between organic irregularity and industrial precision. His works often reference primitive structures while employing contemporary fabrication techniques, resulting in objects that feel both timeless and distinctly modern.

Operating between design and sculpture, Lee’s practice reflects an ongoing interest in the dialogue between natural formation and human intervention. By allowing material characteristics to guide form and structure, his works seek a quiet balance between raw material presence and constructed order.