Philia
Magazine

Matteo Ferrari
Matteo Ferrari is an Italian architect based in Madrid and founder of Matteo Ferrari Studio. Since establishing the practice in 2015, he has worked internationally across retail, hospitality and residential projects, collaborating with both global brands and independent clients. His experience across different contexts and scales has shaped an approach grounded in sensitivity to place, material and the particular requirements of each project.
His work is defined by a continuous dialogue between international perspectives and local craftsmanship, rather than by a fixed or recognisable aesthetic. For Ferrari, architecture begins with an attentive reading of its context and brief, allowing each project to develop its own identity in response to its surroundings, purpose and circumstances.

Didi Ng Wing Yin
Didi Ng Wing Yin is a Hong Kong-born, Helsinki-based wood artist whose practice moves between sculpture, design and craft. Distinguished by his approach to carving, his work explores the intrinsic qualities of wood through a balance of material sensitivity, intuitive craftsmanship and conceptual inquiry. Central to his practice is the idea of “Naturalness,” allowing the individual characteristics of each piece of wood to guide the making process while preserving its original qualities and exploring new possibilities for carving.
Ng holds an MA in Interior Architecture from Aalto University in Finland. His work has received international recognition, including being named a finalist for the LOEWE FOUNDATION Craft Prize 2025, receiving the Rising Star of the Year Award at the Scandinavian Design Awards 2024, and winning Dezeen’s Emerging Designer of the Year Award 2024. His sculpture Pleats Vase No. 11 is part of the permanent collection of the Röhsska Museum in Gothenburg, Sweden.

Dimitrih Correa 5 Picks From Philia Collection
Dimitrih Correa is a Brazilian multidisciplinary artist and designer based in Rio de Janeiro. Working at the intersection of collectible design and sculpture, his practice explores the relationship between material, memory, and time, with a particular focus on reclaimed hardwood and traditional craftsmanship.
Correa’s connection to materials began during his childhood in the mountains of the Atlantic Forest and later developed through his studies in Industrial Design and his experience at Oficinaethos, where he encountered the conceptual possibilities of authorial design. After a period in Dublin collaborating with design and art studios, he returned to Brazil and established his own atelier in Rio de Janeiro’s historic city centre in 2020. His works move between functional objects and sculpture, transforming reclaimed materials into pieces that combine structural precision with expressive form while reflecting on permanence, consumption and the relationship between people and the natural world. His work has received recognition, including First Place at the Salão Design Award and an Honorable Mention at the Prêmio Design MCB, and has been exhibited internationally in cities including Milan, Paris, New York, Brussels, and Antwerp.

Kansai Noguchi
Kansai Noguchi is a Japanese sculptor and ceramic artist whose practice brings together influences from different cultures, histories, and artistic traditions. Born in Fukuoka in 1982, Noguchi began his creative career as a professional musician before moving to the United States in 2013. An encounter with the work of Isamu Noguchi the following year became a defining moment, prompting him to leave music behind, return to Japan, and pursue sculpture and pottery.
Drawing from the simplicity of Japanese Jomon pottery, Korean Yi Dynasty ceramics, and ancient Greek sculpture, Noguchi explores their relationship with abstract expression through a process rooted in experimentation, intuition, and precision. His background in music continues to inform the way he works, approaching composition through combinations of form and material while allowing moments of improvisation and physical sensibility to guide the process. Moving between cultural references rather than adhering to a singular tradition, his work reflects an ongoing exploration of the connections between culture, history, and contemporary expression.








