
Working in Mexico City, Ana Tron (Abitante Estudio) experiments with recycled paper, clay, and natural pigments to form lighting and objects with an archaeological calm. Her process, hand building, layering, and burnishing, privileges tactility and local ecology, yielding pieces that feel unearthed yet unmistakably contemporary.

Working in Mexico City, Ana Tron (Abitante Estudio) experiments with recycled paper, clay, and natural pigments to form lighting and objects with an archaeological calm. Her process, hand building, layering, and burnishing, privileges tactility and local ecology, yielding pieces that feel unearthed yet unmistakably contemporary.
